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The Complete Poems of San Juan de la Cruz

ebook
1 of 1 copy available
1 of 1 copy available

In 1578, during months of imprisonment for his reformist beliefs, San Juan de la Cruz composed a series of narrative poems inspired by the Biblical Song of Songs—and, the story goes, a popular love song overheard from his cramped cell—that take God as the beloved. Erotically charged, initially scandalous, his mystical poetry engages with the journey of the soul through the darkest trenches of suffering and despair toward an enlightened spiritual connection with God. For hundreds of years, these poems have resonated deeply with those who search for meaning in the dark, and have influenced generations of poets, artists, and philosophers.

This bilingual edition of the Complete Poems—including "Dark Night" and both the Sanlúcar and Jaén manuscripts of "Spiritual Canticle"—presents an intimate and exceptionally collaborative new translation from María Baranda and Paul Hoover. Baranda, one of the most distinguished Mexican poets of her generation, lends her deft hand with expansive, meditative poetry. Hoover—the accomplished American poet, editor, and translator—offers his dexterity with form and the possibilities of language. The product is uniquely faithful to image and idea, and loyal to the ecstatic lyricism of this canonical text.

A volume that hums with the soul's longing to find solace, The Complete Poems of San Juan de la Cruz is a collection to be treasured.

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    • Publisher's Weekly

      June 21, 2021
      Barada and Hoover bring the work of a poet “consumed completely” to English readers in a satisfying collection that was inspired by the Bible’s Song of Songs and is full of figures given over to a love charged with a near-erotic and mystic constancy. In poems that remind the reader of John Donne’s fierce, unbridled devotion, mingled with John Keats’s romanticism, people “suffer, grieve, and die” at the various altars of love. “Love alone,” a wife in one poem says, “is my task.” That love is pitched toward the divine throughout. “This life,” de la Cruz writes of God, “is endless dying/ until I live with you.” The collection invites the acceptance of mystery ushered by the intoxicating work of devotion; as one poem attests: “Love does such work.” It allows a world where “not knowing is knowing.” While de la Cruz can verge on the sentimental, he does so to express an honest form of feeling. This is a satisfying book of extremes, where men “die because don’t die” and risks are taken to capture complex feelings.

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